Bell Harmonic Partials: Difference between revisions

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# Perfect Fifth or "Quint"  
# Perfect Fifth or "Quint"  
# Nominal or "Octave"  
# Nominal or "Octave"  
The Hum, Prime and Nominal should be the same note in their respective octaves. The strike tone of the bell (apparent musical pitch) is always one octave below the Nominal, but not necessarily in tune with the Prime.


For many years this basic bell theory was lost until being rediscovered after World War II by an Englishman named Canon Simpson, who worked with the Taylor and Gillett and Johnston bell foundries to improve the sound of their bells. It is therefore sometimes called the Simpson five-tone harmonic principle, even though we know that 16th century Flemish founders François and Pieter Hemony made use of the principle.
For many years this basic bell theory was lost until being rediscovered after World War II by an Englishman named Canon Simpson, who worked with the Taylor and Gillett and Johnston bell foundries to improve the sound of their bells. It is therefore sometimes called the Simpson five-tone harmonic principle, even though we know that 16th century Flemish founders François and Pieter Hemony made use of the principle.

Revision as of 21:02, 14 December 2015

Any one of a series of tones which usually accompany the prime tone (fundamental) produced by a string, an organ-pipe, the human voice, etc. The fundamental is the string tone produced by the vibration of the whole string, or the entire column of air in the pipe; the partial tones are produced by the vibration of fractional parts of that string or air-column. Harmonic tones such as these are also obtained, on any stringed instrument which is stopped (guitar, violin, zither), by lightly touching a nodal point of a string.

Partials in Bells

Various types of bell sounds are differentiated by their partials. You will see in bell (and competitive literature) various ways of illustrating this. Some use a musical staff with middle C being the fundamental, and the partials being shown above and below C.

It has been established that there are five harmonic partials that impart a basic recognizable bell tone. These are named:

  1. Hum
  2. Prime
  3. Minor Third or "Tierce" (Major third bells have seen some limited production)
  4. Perfect Fifth or "Quint"
  5. Nominal or "Octave"

The Hum, Prime and Nominal should be the same note in their respective octaves. The strike tone of the bell (apparent musical pitch) is always one octave below the Nominal, but not necessarily in tune with the Prime.

For many years this basic bell theory was lost until being rediscovered after World War II by an Englishman named Canon Simpson, who worked with the Taylor and Gillett and Johnston bell foundries to improve the sound of their bells. It is therefore sometimes called the Simpson five-tone harmonic principle, even though we know that 16th century Flemish founders François and Pieter Hemony made use of the principle.

A bell's strike tone is what determines the actual pitch of the bell, and is often influenced by higher partials. In some bells, it may be a difference frequency between the nominal and octave above the nominal that occurs in the listener's ear. Especially in larger bells, if the higher partials are not also tuned, there may be beats.

Some campanologists think that the Quint is so short lived (in decay time) that the octave quint is more important for tuning (especially in larger bells).

Smaller bells will often only exhibit two to four partials that need tuning, simplifying the process to the point that an automated lathe can be employed.